Women of the Empire
loresseintes:

“The Annunciation" by Tiziano (1520-1522)

loresseintes:

The Annunciation" by Tiziano (1520-1522)

archaicwonder:

Stater from Argos, Argolis c. 370-350 BC
Extremely rare, only one of two known examples of this coin.
The coin shows the head of Hera to the right, her hair flowing down the back of her neck, wearing stephane ornamented with palmettes, earring and necklace of pearls. On the reverse, ΑRΛΕΙOΝ, two dolphins swimming in a circle to left; between them, Corinthian helmet right between Ε-Μ.
Argos only produced a very small number of staters, all of which were minted within a rather limited period of time, probably circa 370-350 when both Spartan and Theban domination of the Peloponnesos had fallen away. The Argive issues seem to fall into three groups: a small series at the beginning with head left, a main series with compact heads of Hera, and a later outlying group (pictured), which has a large, elegant, and ‘pretty’ head of the goddess that differs in concept from those on the two preceding groups. It also differs in its the ethnic, with a lambda-like gamma and an omicron rather than an omega. Reminiscences of this head can be found on later staters from Crete, thus making it likely that some coins of this type found their way to that island in the purses of returning mercenaries.

archaicwonder:

Stater from Argos, Argolis c. 370-350 BC

Extremely rare, only one of two known examples of this coin.

The coin shows the head of Hera to the right, her hair flowing down the back of her neck, wearing stephane ornamented with palmettes, earring and necklace of pearls. On the reverse, ΑRΛΕΙOΝ, two dolphins swimming in a circle to left; between them, Corinthian helmet right between Ε-Μ.

Argos only produced a very small number of staters, all of which were minted within a rather limited period of time, probably circa 370-350 when both Spartan and Theban domination of the Peloponnesos had fallen away. The Argive issues seem to fall into three groups: a small series at the beginning with head left, a main series with compact heads of Hera, and a later outlying group (pictured), which has a large, elegant, and ‘pretty’ head of the goddess that differs in concept from those on the two preceding groups. It also differs in its the ethnic, with a lambda-like gamma and an omicron rather than an omega. Reminiscences of this head can be found on later staters from Crete, thus making it likely that some coins of this type found their way to that island in the purses of returning mercenaries.

I dread the moment of our separation, for the child’s sake, he grows more deeply attached to me every day, and proves it in a thousand different ways. Since he has noticed that a great number of people have already left him, he is terrified that I too shall do the same, and will not let me out of his sight for a moment (…). I was delighted to see that the Emperor of Austria treated his grandson extremely well, I had some difficulty in persuading the child to be civil to his grandfather, he kept on saying to me, “He’s Papa’s enemy, and I won’t see him.” However, by dint of reasoning with him, I brought him to the point of being very nice indeed to him.
A letter written by Madame de Montesquiou, the King of Rome’s governess, to Napoleon on April 1814. Maman Quiou, as the child had nicknamed her, would be separated from him the night of the 20th of March of 1815, just after his fourth birthday. The letter (with a lock of the child’s hair enclosed) reached Napoleon at Elba.
Postcard for the centenary of the crosing of the Alps by Napoleon’s army.

Postcard for the centenary of the crosing of the Alps by Napoleon’s army.

jaded-mandarin:

Eduardo Rosales. Study for the Will of Isabella the Catholic, 1863.

jaded-mandarin:

Eduardo Rosales. Study for the Will of Isabella the Catholic, 1863.

hadrian6:

Aeneas tries to defend the walls of Troy against the Greeks. 1827. illustration from Virgil’s Aeneid. Anne Louis Girodet de Roussy Trioson. French 1767-1824. engraving.
http://hadrian6.tumblr.com

hadrian6:

Aeneas tries to defend the walls of Troy against the Greeks. 1827. illustration from Virgil’s Aeneid. Anne Louis Girodet de Roussy Trioson. French 1767-1824. engraving.

http://hadrian6.tumblr.com

joachimmurat:

hadrian6:

Aeneas Sacrificing to Neptune. 1827. from illustrations of Virgil’s Aeneid. Anne Louis Girodet de Roussy Trioson. French 1767-1824. engraving.
http://hadrian6.tumblr.com

Neoclassical side butt ahoy!

joachimmurat:

hadrian6:

Aeneas Sacrificing to Neptune. 1827. from illustrations of Virgil’s Aeneid. Anne Louis Girodet de Roussy Trioson. French 1767-1824. engraving.

http://hadrian6.tumblr.com

Neoclassical side butt ahoy!

Because there are not enough French Cancan (Jean Renoir, 1954) photosets out there.

tierradentro:

“Bust of a Woman”, c.1499-1501, Leonardo da Vinci.

tierradentro:

Bust of a Woman”, c.1499-1501, Leonardo da Vinci.